consciousness, just as our electric global networks now begin to simulate the condition of our central nervous system. But a con- scious computer would still be one that was an extension of our consciousness, as a telescope is an extension of our eyes, or as a ventriloquist's dummy is an extension of the ventriloquist. Automation certainly assumes the servomechanism and the computer. That is to say, it assumes electricity as store and exped- iter of information. These traits of store, or "memory," and accelerator are the basic features of any medium of communication whatever. In the case of electricity, it is not corporeal substance that is stored or moved, but perception and information. As for technological acceleration, it now approaches the speed of light. All nonelectric media had merely hastened things a bit. The wheel, the road, the ship, the airplane, and even the space rocket are utterly lacking in the character of instant movement. Is it strange, then, that electricity should confer on all previous human organization a completely new character? The very toil of man now becomes a kind of enlightenment. As unfallen Adam in the Garden of Eden was appointed the task of the contemplation and naming of creatures, so with automation. We have now only to name and program a process or a product in order for it to be accomplished. Is it not rather like the case of Al Capp's Schmoos? One had only to look at a Schmoo and think longingly of pork chops or caviar, and the Schmoo ecstatically transformed itself into the object of desire. Automation brings us into the world of the Schmoo. The custom-built supplants the mass-produced. Let us, as the Chinese say, move our chairs closer to the fire and see what we are saying. The electric changes associated with automation have nothing to do with ideologies or social programs. If they had, they could be delayed or controlled. Instead, the technological extension of our central nervous system that we can call the electric media began more than a century ago, subliminally. Subliminal have been the effects. Subliminal they
Understanding Media by Marshall McLuhan Page 387 Page 389