and a numbing effect as deep as grief, itself, on the other hand. Most people were amazed at the depth of meaning which the event communicated to them. Many more were surprised by the coolness and calm of the mass reaction. The same event, handled by press or radio (in the absence of television), would have provided a totally different experience. The national "lid" would have "blown off." Excitement would have been enormously greater and depth participation in a common awareness very much less. As explained earlier, Kennedy was an excellent TV image. He had used the medium with the same effectiveness that Roosevelt had learned to achieve by radio. With TV, Kennedy found it natural to involve the nation in the office of the Presidency, both as an operation and as an image. TV reaches out for the corporate attributes of office. Potentially, it can transform the Presidency into a monarchic dynasty. A merely elective Presidency scarcely affords the depth of dedication and commitment demanded by the TV form. Even teachers on TV seem to be endowed by the student audiences with a charismatic or mystic character that much exceeds the feelings developed in the classroom or lecture hall. In the course of many studies of audience reactions to TV teaching, there recurs this puzzling fact. The viewers feel that the teacher has a dimension almost of sacredness. This feeling does not have its basis in concepts or ideas, but seems to creep in uninvited and unexplained. It baffles both the students and the analysts of their reactions. Surely, there could be no more telling touch to tip us off to the character of TV This is not so much a visual as a tactual-auditory medium that involves all of our senses in depth interplay. For people long accustomed to the merely visual experience of the typographic and photographic varieties, it would seem to be the synesthesia, or T tactual depth of V experience, that dislocates them from their usual attitudes of Passivity and detachment. The banal and ritual remark of the conventionally literate, that
Understanding Media by Marshall McLuhan Page 370 Page 372