dramatization of communal experience. No group of sociologists can approximate the ad teams in the gathering and processing of exploitable social data. The ad teams have billions to spend annually on research and testing of reactions, and their products are magnificent accumulations of material about the shared experience and feelings of the entire community. Of course, if ads were to depart from the center of this shared experience, they would collapse at once, by losing all hold on our feelings. It is true, of course, that ads use the most basic and tested human experience of a community in grotesque ways. They are as incongruous, if looked at consciously, as the playing of "Silver Threads among the Gold" as music for a strip-tease act. But ads are carefully designed by the Madison Avenue frogmen-of-the-mind for semiconscious exposure. Their mere existence is a testimony, as well as a contribution, to the somnambulistic state of a tired metropolis. After the Second War, an ad-conscious American army officer in Italy noted with misgiving that Italians could tell you the names of cabinet ministers, but not the names of commodities preferred by Italian celebrities. Furthermore, he said, the wall space of Italian cities was given over to political, rather than commercial, slogans. He predicted that there was small hope that Italians would ever achieve any sort of domestic prosperity or calm until they began to worry about the rival claims of cornflakes and cigarettes, rather than the capacities of public men. In fact, he went so far as to say that democratic freedom very largely consists in ignoring politics and worrying, instead, about the threat of scaly scalp, hairy legs, sluggish bowels, saggy breasts, receding gums, excess weight, and tired blood. The army officer was probably right. Any community that wants to expedite and maximize the exchange of goods and services has simply got to homogenize its social life. The decision to homogenize comes easily to the highly literate population of the English-speaking world. Yet it is hard for oral cultures
Understanding Media by Marshall McLuhan Page 252 Page 254