independently, as well as interdependent, automatic. The synchronized concert of operations is under the control of gauges and instruments that can be varied from the control-panel boards that are themselves electronic. The material of intake is relatively uniform in shape, size, and chemical properties, as likewise the material of the output. But the processing under these conditions permits use of the highest level of capacity for any needed period. It is, as compared with the older machines, the difference between an oboe in an orchestra and the same tone on an electronic music instrument. With the electronic music instrument, any tone can be made available in any intensity and for any length of time. Note that the older symphony orchestra was, by comparison, a machine of separate instruments that gave the effect of organic unity. With the electronic instrument, one starts with organic unity as an immediate fact of perfect synchronization. This makes the attempt to create the effect of organic unity quite pointless. Electronic music must seek other goals. Such is also the harsh logic of industrial automation. All that we had previously achieved mechanically by great exertion and coordination can now be done electrically without effort. Hence the specter of joblessness and propertylessness in the electric age. Wealth and work become information factors, and totally new structures are needed to run a business or relate it to social needs and markets. With the electric technology, the new kinds of instant interdependence and interprocess that take over production also enter the market and social organizations. For this reason, markets and education designed to cope with the products of servile toil and mechanical production are no longer adequate. Our education has long ago acquired the fragmentary and piece-meal character of mechanism. It is now under increasing pressure to acquire the depth and interrelation that are indispensable in the all-at-once world of electric organization. Paradoxically, automation makes liberal education mandatory
Understanding Media by Marshall McLuhan Page 393 Page 395